Teac DS-M7.1 Applications Guide Manuel d'utilisateur télécharger pdf

10/10/03

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DS-M7.1

Applications Guide

˘ Up to 7.1-channel sur-

round monitor control

from nearly any console

or DAW

˘ Standard 8-channel TDIF,

AES/EBU and ADAT con-

nections for a stem re-

corder

˘ 8 input channels, 8 output

channels

˘ 44.1, 48, 88.2, or 96kHz

operation

˘ Pull up/down operation

via external master clock

˘ Flexible downmixing op-

tions

˘ Built-in Pink Noise gen-

erator for monitor calibra-

tion

˘ Individual channel Mute/

Solo

˘ LED SPL display

˘ Individual channel delay

compensation

˘ Standard monitoring

controls like adjustable

Dim, Mono and Alternate

speakers

˘ Surround Bass Manage-

ment

˘ Integrates with your ex-

isting control room moni-

tor output

DS-M7.1 Digital Surround Monitor Controller

esigned for the needs of surround

production studios, the DS-M7.1

is a complete monitor control solution

for tracking and mixing in surround.

With its 96kHz/24-bit digital process-

ing and ﬂ exible routing and downmix

capabilities, the DS-M7.1 is a powerful

yet affordable monitor solution for stu-

dios ready for the future of surround

audio.

The DS-M7.1 supports nearly every

surround format, including mono, ste-

reo, LCRS, 5.1, 6.1 and 7.1. Its downmix

feature allows you to hear the effect of

plus tracking and mixdown recorders

are provided in several digital formats,

from TDIF to AES/EBU and ADAT optical.

If you require a different digital format

than the one provided, optional card

slots allow you to specify the format

of your digital I/O, or even add analog

inputs and outputs. An AES/EBU in-

sert jack is also provided, to hear the

results of digital encoding like Dolby

Digital® and DTS®, and its I/O can also

be changed to another digital or analog

format.

The front panel of the DS-M7.1 is

removable

for place-

ment on

a console,

while the

processor

sits in an

equipment rack or machine room. A

pair of balanced Stereo Control Room

outputs, selectable at the touch of a

button, allow you to check your mix in

stereo on another pair of monitors. The

Output Level control has an SPL refer-

ence display for consistent listening

levels. The DS-M7.1 also provides bass

management, and each output channel

has its own mute/solo button so that

individual channels can be checked for

noises or other problems. For surround

monitoring control in applications in-

cluding post-production for ﬁ lm and

video, surround production for music,

creation of audio for video games and

multimedia, theatrical production

and television broadcast, the DS-M7.1

represents a powerful yet affordable

solution.

playing back your surround mix folded

down to stereo or mono for compat-

ibility. Monitor outputs are provided in

balanced analog and AES/EBU output

formats for more options when wiring

your studio.

The DS-M7.1 has digital inputs for

your console, tracking recorder and

master recorder. These inputs not

only allow it to control your studio

monitoring, but also allows ﬂ exible

signal routing options. For example,

you may have one session which uses

your console’s buss outputs to record to

a tracking recorder, followed by another

session using the console’s outputs to

mix in surround to a mixdown deck.

With the DS-M7.1 dedicated I/O and

front-panel buttons, you don’t need to

repatch as your session requirements

change.

Inputs and outputs for your console,

1 2 3 4

DS-M7.1 1

Résumé du contenu

Page 1 - DS-M7.1

10/10/03Page 1 of 4DS-M7.1 Applications Guide˘ Up to 7.1-channel sur-round monitor control from nearly any console or DAW˘ Standard 8-channel TDIF,

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10/10/03Page 2 of 4DS-M7.1 Applications GuideDAW MonitoringDigital Console MonitoringAs the mixers built into Digital Audio Worksta-tions become more

Page 3

Output RouterInput SummingRouterBUS/RETURNInsertdevice suchas surroundencoder/decoderMASTERRECORDERTRACKINGRECORDERDigital Mixing Consolerecorderretur

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